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LP JORGE ANTUNES AVANTGARDE ATONAL ALEATORY ELECTRONIC *SIGNED* EXP PSYCH BRAZIL

LP JORGE ANTUNES AVANTGARDE ATONAL ALEATORY ELECTRONIC *SIGNED* EXP PSYCH BRAZIL
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199.21 1 In stock
Jorge Antunes

"¡No Se Mata La Justicia!"

A NEW Album NEVER Played by the Great of Brazilian Electronic & Experimental Music! Autographed By Jorge!
Price: US$ 199.21
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Musical Styles & Vibes: Psychedelic, Progressive, Experimental, Eletroacoustic Music Avan, Garde, Early Computer Music, Electronic Music
Technical Information
  • Artist: Jorge Antunes
  • Title: "¡No Se Mata La Justicia!"
  • Recording Label: SISTRUM - Independent
  • Company #: LPS 3002
  • Year: 1981
  • Made in: Brazil
  • Sound Reproduction Format: STEREO
  • Pressing: 1st
  • Cover: Gatefold Album
  • Jacket Material: Laminated jacket
  • Media: Vinyl Records 12" LP
  • Number of tracks: 3 tracks
  • Playing Speed: 33 1/3 RPM
  • Special features: Gatefold Jacket with 3-page booklet / Inside the booklet, you will find a Jorge Antunes' autograph.
Grade
  • Jacket: MINT
  • Record: MINT

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Photos
LP JORGE ANTUNES AVANTGARDE ATONAL ALEATORY ELECTRONIC *SIGNED* EXP PSYCH BRAZIL LP JORGE ANTUNES AVANTGARDE ATONAL ALEATORY ELECTRONIC *SIGNED* EXP PSYCH BRAZIL LP JORGE ANTUNES AVANTGARDE ATONAL ALEATORY ELECTRONIC *SIGNED* EXP PSYCH BRAZIL LP JORGE ANTUNES AVANTGARDE ATONAL ALEATORY ELECTRONIC *SIGNED* EXP PSYCH BRAZIL
Tracking List

Side A

1. ELEGIA VIOLETA PARA MONSENHOR ROMERO

Side B

1. CROMORFONÉTICA
2. PROUDHONIA

More description

JORGE ANTUNES - "¡NO SE MATA LA JUSTICIA!" - Original Mega Rare Brazilian Experimental, Psychedelic and Eletronic Instrumental Music Record. Jorge Antunes was the precursor of the Electronic Music made in Brazil.

Jorge Antunes (born 23/04/1942, Rio de Janeiro) studied violin, composition and conducting at the University of Rio de Janeiro, and also physics at the same institution.

Fantastic Tape Loops on a Revox Tape Recorder and Sound Generators. In 1962, he began his research in electronic music thus becoming a pioneer in the development of this field in Brazil. He wrote and performed his first piece using only electronic sound sources, “Valsa Sideral”, considered the first piece of this kind produced in Brazil.

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